6" Black Owl by Famous Toonoo Sharky

Toonoo Sharky

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Inuit art: Bird Spirit
Inuit Artist: Toonoo Sharky
Size: 6" across, 2" tall, 2" deep
Community: Cape Dorset, NU
Stone: Serpentine 
id: b-8788djjy

This little guy crept his way into our gallery a few days ago. And what a delight it is to have. Having him watching us from the corner of the room makes those lonely wintry nights in the studio not so lonely anymore. He brings us a feeling of calm and joy knowing that he's around. We hope he brings you his infectious innocence to your home as well.

Toonoo Sharky normally makes much larger masterpieces so for those who always wanted a Toonoo Sharky piece, this is a chance to own one at a lower price point.

After seeing this piece for the first time, I knew I had to have it. The pronounced white eyes contrasted with the intense and magnificent black stone really make this piece very unique. It is a wonderfully crafted abstract piece of art that would look especially amazing in a modernistic open concept home or condo as well as an office.

The visage of the Black marble stone is striking to its very core. The radiance that is emitted from its tonality is second to none. I have never seen black stone as pure as this.

The stoically and dramatic black stone render this piece to new levels whereas the vibrancy is nothing short of stunning.  

Toonoo began his tenure as a carver at the early age of ten, and entered his first exhibition while still in his teens. He is widely recognized as a major carving talent. This transformation subject is typical of his best work; it epitomizes the Cape Dorset aesthetic and shows off Toonoo's consummate technical skill, flair and humor.

Toonoo Sharky (1970 - )
"Toonoo's parents, Josephee Sharky and Ragee Killiktee, were both carvers, though he credits his grandfather, master carver Kuppapik Ragee and his uncle Shorty Killiktee as influences. Toonoo started carving at ten, began to get serious at thirteen and first exhibited when he was just 17. He is regarded as one of the most exciting young carvers to emerge in the Arctic. His themes include fanciful and quite dramatic treatment of wildlife, particularly birds, and transformational works that are both powerful and humorous. His work is widely shown, and he was elected to the Royal Canadian Academy in 2003." *
* from "Cape Dorset Sculpture", Douglas & McIntyre, 2005

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